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Un Duro Falso Emilia Pardo Bazan

Un Duro Falso Emilia Pardo Bazan

A Classic Short Story by Emilia Pardo Bazán

Introduction

Un Duro Falso is a classic short story by Emilia Pardo Bazán, a renowned Spanish writer of the 19th century. First published in 1891, the story explores themes of poverty, morality, and the human condition.

Plot Summary

The story revolves around Manuela, a poor woman struggling to make ends meet. Desperate for money, she resorts to selling a fake coin, known as a "duro falso," to buy food for her starving child.

Manuela's deception is discovered, and she is confronted by the shopkeeper. Torn between her desperate situation and her moral obligations, Manuela faces a difficult choice.

Themes

Poverty and Desperation

The story highlights the extreme poverty that Manuela and many others faced during that era. Their desperation drives them to desperate measures to survive.

Morality and Ethics

Manuela's actions force the reader to confront the complexities of morality. While her intent may be understandable, her actions raise ethical questions about right and wrong.

Social Commentary

Pardo Bazán uses the story to critique the societal inequalities and lack of support for the poor. Manuela's experience exposes the harsh realities faced by marginalized communities.

Character Analysis

Manuela

Manuela is a complex and sympathetic character. Her poverty and desperation drive her actions, but she is also aware of the moral implications. Her struggle reflects the human condition and the difficult choices people make when faced with adversity.

The Shopkeeper

The shopkeeper represents the authority and judgment of society. He confronts Manuela with her deception, forcing her to face the consequences of her actions.

Conclusion

Un Duro Falso is a powerful and moving story that explores the complex themes of poverty, morality, and the human condition. Pardo Bazán's masterful storytelling and keen observations provide a timeless examination of the struggles and resilience of the human spirit.


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